Unfortunately, the conditions don’t improve, so she and two others make a break for it. The Minister of Justice replaces the warden with another woman, prisoner 99 aka Marie is hopeful that her case will be appealed. The convicts are ruled by the lesbian warden Thelma and the Governor Santos, who torture and rape the inmates into submission. Marie is a new inmate, identified as “99”, at an island prison for women. It wasn’t released in the US until 1973, under the title “School for Unclaimed Girls”, which made it more marketable and less dated in its terminology. It merges psychological drama, sexploitation and delivers social commentary that is a reflection of its time. They share a lot in common and an intimacy forms, then they devise a plan to escape.ĭirected by Robert Hartford-Davis and script by John Peacock, “The Smashing Bird I Used to Know” is a British film released in 1969. To avoid being bullied, Nicki develops a friendship with a lesbian inmate, Sarah. He attempts to rape the young girl, who retaliates by stabbing him.īeing a minor, she is sent to reformatory for emotionally disturbed and problematic young girls. Her mother is emotionally withdrawn and has taken in various male lovers, most recent is a gold-digging con-man. Seven years later, she is still traumatized and feels a sense of guilt. Nicki is plagued by the death of her father while riding a merry-go-round when she was nine. ![]() Or they are just straight up violent porn videos with no original storylines, charismatic characters and nothing memorable.ġ. Some are revered as satirical spoofs or weak homages passed off as being edgy with an overly polished presentation. By the 1990s and beyond, with the insurgence of the Politically Correct Police and the need for Trigger Warnings, many exploitation films are reduced to being watered down in comparison to their predecessors. The following list contains sexploitation features from the “glory days” of Women In Prison (aka WIP) films, circa 1969 until 1989. ![]() In the late 1960s, with domestic and international film markets free to incorporate and exploit material such as violence and nudity gave birth to a new genre in addition to creating subgenres. 8.As early as the 1930s, Hollywood made women in prison films as melodramas with minimal action and means to portray the pathway to a righteous life with titles such as “Ladies They Talk About” and “Hold Your Man”.īy the 1950s, with the influence of pulp novels, many features like “Caged”, “So Young, So Bad” and “Women’s Prison”, would take place completely behind bars and fences of women’s correctional institutions. Granted, while it's technically not every single prison movie with Stallone, these are the eight Stallone films in which prisons play an important role. Instead, here is a more narrowly focused list of every Stallone prison movie, ranked from worst to best. With that in mind, to pick apart every single Stallone action film would be quite the task. Related: Sylvester Stallone's Rocky Prequel Series Explained (Is It Happening?) ![]() Stallone's mid-2000s return to success reprised his status as the model example of the action genre star, especially with the release of The Expendables (2010), an ensemble action film that anticipated the rise of star-studded action flicks of the 2010s. Despite a brief critical lull in his career spanning the early 2000s, Stallone has remained the action hero model of American pop culture, alongside his movie rival Arnold Schwarzenegger and more recent action stars such as Jason Statham and Dave Bautista.
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